Shot No.
|
Location
|
Shot Description
|
Shot type / angle / camera movement
|
Action in shot
|
Dialogue
|
Actors
|
Props
|
Notes
|
1
|
N/A
|
Production title
|
Dark grey background with white writing
|
Displaying the production company title
|
N/A
|
N/A
|
N/A
| |
2
|
Outside the woods
|
Establishing shot of the location to allow the audience to relate
|
Establishing shot
|
Slight panning of the entrance of the woods
|
N/A
|
N/A
|
N/A
|
This will help to show the audience the relatable location and make them feel part of the action.
|
3
|
Entrance to the woods
|
Shot of a sign that has the directors name on it
|
Mid shot of the sign
|
This will tell the audience who the director is through the use of everyday objects
|
N/A
|
N/A
|
N/A
|
This will help to keep the audience entertained.
|
4
|
Woods
|
Person using a go pro walking through the woods
|
POV
|
Person walking through the woods
|
N/A
|
N/A
|
Person walks along the path and begins looking to their sides
| |
5
|
Woods
|
Shot of a noose being tied
|
Close up
|
A noose is tied in a close up view
|
N/A
|
Oliver's hands
|
Rope for the noose
|
As the person looks to the side the camera cuts to a flash back typed theme showing events that have previously taken place
|
6
|
Woods
|
This shot shows the gas mask
|
Close up
|
A shot of the killer's mask in a closer view
|
N/A
|
N/A
|
Gas mask
|
This will show an actor’s name in each lens of the mask
|
7
|
Woods
|
This flicks back to the POV and shows missing person posters
|
POV
|
This shows a missing person poster with the face of one of the actors on
|
N/A
|
Paper for the poster
|
This will be another way to represent an actor's name
| |
8
|
Woods
|
People being hung
|
Mid shot
|
People are seen just to the side of the path hanging
|
N/A
|
Nooses
|
This is a flash back linked to the previous shot, it cuts straight to the sight of two or three people hanging from a tree
| |
9
|
Woods
|
Shot of the trees above whilst spinning in a circular motion
|
Long shot form a low angle
|
This is a shot of the trees above whilst spinning the camera
|
N/A
|
N/A
|
N/A
|
This will add a distorted feeling to the opening scene displaying the title ‘produced by’
|
10
|
Woods
|
This shot will be of the killer pouring petrol onto the people being hung
|
Mid shot
|
This will imply that the killer is going to burn the victims
|
N/A
|
Person in the killer's costume
|
Some type of container filled with water to look like petrol
|
This is to confuse but intrigue the audience
|
11
|
Woods
|
Low angle shot of a person walking past the camera
|
Low angle (from the floor)
|
This will show a person walking past the camera on the floor and they will be recorded walking up the path
|
N/A
|
N/A
|
Another actor name will be written alongside the person's legs
| |
12
|
Woods
|
Switch to a person walking along a track away from the main path
|
Long shot
|
This will show the person walking further into the woods
|
N/A
|
N/A
|
This will present the person that previously using a POV shot but this time they will be seen walking ahead of the camera down a track off of the main path
| |
13
|
Woods
|
This will show the person from a side view
|
Side view of the main actor (no face shown) camera looking down at a shovel
|
This will show a shovel placed firmly upright into the ground
|
N/A
|
Shovel
|
This will show the shovel used to bury the victims of after their murder
| |
14
|
Woods
|
This will show a fast pace flash to the killer burying the victims
|
Side view with the actor in the side of the shot and a view of the rest of the flash back
|
This will show the two timelines briefly crossing
|
N/A
|
Killer in costume
|
Shovel and body bags
|
This will show the killer burying his victims, the victim will be in a body bag and the person from the present day will be in the corner of the shot
|
15
|
Woods
|
This will then switch back to the present day
|
Side view of the actor again
|
This shot will let the audience know that it has switched back to the present again.
|
N/A
|
N/A
|
This shot is to establish the fact that it is back to the present again and has left the flash back.
| |
16
|
Woods
|
This will be a shot will be the person walking straight ahead
|
Panning
|
This will pan as the person walks away
|
N/A
|
N/A
|
This will show the person walking further into the woods and the camera will then pan to show them walking away alongside of the actor as they walk away, another title about the director will be displayed
| |
17
|
Woods
|
This shot will be back to POV
|
POV
|
This will lead up to showing another title
|
N/A
|
N/A
|
This title will be displayed on an object in the surroundings to give a natural title
| |
18
|
Woods
|
This shot will be from behind a tree
|
POV
|
This will show the person walking through the woods from another person’s POV
|
N/A
|
N/A
|
This will be taken from behind a tree and the background will be out of focus and you will see the person walk past as a blur
| |
19
|
Woods
|
This shot will be from behind the person as they stop and the camera is slowly getting closer
|
POV
|
This will look like the main character is being followed by someone
|
N/A
|
N/A
|
This will make the audience feel like the main character is being followed by someone or something.
| |
20
|
Woods
|
This shot will be from behind the main character tracking them walking up to the pond
|
Tracking
|
This will show the actor walking up to the pond
|
N/A
|
N/A
|
This will help to set the location for the next few shots
| |
21
|
Pond in the woods
|
This will be from behind the main character
|
Long shot zooming into mid shot
|
This will slowly zoom in and cut at the end
|
N/A
|
N/A
|
This will how to the audience that the main character is looking across the lake, the audience will not know why and it may intrigue them
| |
22
|
Pond in the woods
|
This will cut from the last shot into a POV
|
POV
|
Cutting from the previous shot to a POV to show what the character is looking at
|
N/A
|
N/A
|
This will be used to show the action to come in the POV of the character
| |
23
|
Pond in the woods
|
Flashback is shown of the killer dragging a body from the lake
|
POV/long shot
|
This shows a flashback in of the killer across the lake
|
N/A
|
N/A
|
This shot projects past events in the location to the audience
| |
24
|
Pond in the woods
|
This shot flicks back to present day as another POV
|
POV
|
This will flick straight form the flashback to this so it looks like the people on the other side of the pond have disappeared
|
N/A
|
N/A
|
N/A
|
This will intrigue and confuse the audience.
|
25
|
Pond in the woods
|
This shot zooms out from POV to a mid/longshot of the person
|
Long shot
|
This shows the title of the person in charge of the music
|
N/A
|
N/A
|
N/A
|
This will display the name of the person in control of the music involved
|
26
|
Pond in the woods
|
This will be a similar shot to the previous one
|
Mid to long shot
|
This shows the person turning around and walking away
|
N/A
|
N/A
|
The title will fade away and the person will turn and walk away
| |
27
|
Pond in the woods
|
This will slowly zoom in across the pond
|
Extreme long shot to mid shot
|
This will show the killer stood across the water hidden behind the trees.
|
N/A
|
N/A
|
This will show the killer is still in the area following what the main character is doing.
| |
28
|
Woods
|
This will be a side view of the main character walking
|
Mid/long shot
|
This will show the killer walking along side, across from the path
|
N/A
|
N/A
|
This shot will be used to show that the killer is still following close by
| |
29
|
Woods
|
The person killer will disappear
|
Mid/long shot
|
The killer will walk behind a tree and disappear
|
N/A
|
N/A
|
The killer will suddenly disappear leading to questioning as to whether it’s a person or ghost this shot will also display the name of the editor for the title
| |
30
|
Woods
|
This will show the character walking ahead with the camera behind
|
Mid/long shot
|
This will show the main character walking ahead of the camera
|
N/A
|
N/A
|
This will show that the main character is still walking
| |
31
|
Woods
|
This will follow on from the previous one but gradually zoom out
|
Mid/long shot
|
This will show the killer is following and the main character will be out of focus
|
N/A
|
N/A
|
This will be to show that the main character is still being followed.
| |
32
|
Woods
|
This shot will be of the main character being followed by the killer
|
Long shot
|
This will show the killer following closely behind the main character
|
N/A
|
N/A
|
This will create tension in the atmosphere, people will become curious as to what will happen next
| |
33
|
Woods
|
The camera then zooms into the main character until the killer is out of shot
|
Mid shot
|
This will show the main character stopping and turning around
|
N/A
|
N/A
|
The main character will begin to turn and once they do it will cut to the next shot
| |
34
|
Woods
|
Over the shoulder shot blurring the foreground
|
Over the shoulder
|
The main character is looking behind to see who is there
|
N/A
|
N/A
|
This will show the audience there is something going about to happen.
| |
35
|
Woods
|
This will cut back to the person from the side view
|
Long shot
|
This will show the person beginning to feel uncomfortable and walking at a faster pace
|
N/A
|
N/A
|
This will represent the uncomfortable situation the person has been placed in.
| |
36
|
Woods
|
This will be a tracking shot of the main character walking past
|
Tracking
|
This will show the character walking past at speed
|
N/A
|
N/A
|
This will be to show the fear of the main character
| |
37
|
Woods
|
This will be a POV to show the pickup of pace and place the audience in the position of the victim
|
POV
|
This will show what the main character is experiencing
|
Heavy breathing
|
N/A
|
This will represent the fear building
| |
38
|
Woods
|
This will be from the POV of the main character showing what they see
|
POV into a close up
|
This shot will show a noose hanging from a tree in the distance and the character stops walking and the camera zooms in on it
|
Heavy breathing
|
Noose
|
This will build the suspense showing the noose in the distance waiting
| |
39
|
Woods
|
This will be a shot of the killer in the distance
|
POV + Long shot
|
The character finally sees the killer
|
Heavy breathing
|
Noose in the killer’s hand
|
This will show the killer finally being seen
| |
40
|
Woods
|
The character turns around and looks back
|
POV
|
The character turns around and looks back to see the killer is gone
|
Heavy breathing
|
N/A
|
The killer that was stood in the distance suddenly disappears
| |
41
|
Woods
|
In this shot the camera will be in POV
|
POV/extreme close up
|
The person will be turning around to see the killer in a close up view showing the mask
|
N/A
|
Killer’s mask
|
This will be the finale shot that will then cut to the movie title after.
| |
42
|
Movie title
|
This will be the movie title displayed after the final shot
|
N/A
|
This will show the title of the whole movie and come to an end
|
N/A
|
N/A
|
N/A
|
This will show the title and leave people curious as to what happened
|
Tuesday, 15 November 2016
Shot List
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